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Basically, she’s a curator of interactive digital and virtual reality (VR). When Stuckey was away on a residency with a VR project she’d created, she realized the gallery had to have reservations to organize audience flow.

If people just show up and sign a list, it doesn’t work well. When she returned to MOHA, she implemented the reservation process with their VR installations. “My interns were waiting at the bar with a list,” Stuckey recalls, “and it ended up feeling like a restaurant hostess situation.

The Logitech Brio is available online starting today.

In 2014, the well-established, Austin-based contemporary arts festival Fusebox conducted an experiment.

“People were making some really great handles in our live audience,” says Moletress, “like ‘Abigail’s Liver’ like ‘Danforths’ Dirty Fingers.’ I couldn’t help but crack up.

There’s a great bit of cheekiness to it, too, which is fantastic.” If you want to get in on the action and can’t drop by live at Fusebox, get your handle and login to Cam4.

This is Moletress’ first foray into online cam performance.

They spent many hours as a voyeur on Cam4 and observed how people interacted with performers and playing into the idea of productivity.

’ Kind of playing on the concept, for most people VR is such a novelty because they haven’t experienced it before.

It’s a new, kind of out there thing, and programming work for VR that’s been more serious and politically engaging critical work, there’s such a clash between the person who’s ready for an entertaining novelty experience and the content of the work.” They baked it all into a greasy spoon diner model complete with sassy, rude high school wait staff.

They’ll gauge how their body responds to the reading, as they monitor the chat room.

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