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We had most of the best writers and photographers, the best layouts, that sense of style of humour and a feeling of real adventure.

We also set out to beat Melody Maker on its strong suit: being the serious, responsible journal of record.

On 14 November 1952, taking its cue from the US magazine Billboard, it created the first UK Singles Chart, a list of the Top Twelve best-selling singles.

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The year 1976 also saw punk rock arrive on what some people perceived to be a stagnant music scene.

The NME gave the Sex Pistols their first music press coverage in a live review of their performance at the Marquee in February that year, but overall it was slow to cover this new phenomenon in comparison to Sounds and Melody Maker, where Jonh Ingham and Caroline Coon respectively were early champions of punk.

The paper became engaged in a sometimes tense rivalry with Melody Maker; however, NME sales were healthy, with the paper selling as many as 200,000 issues per week, making it one of the UK's biggest sellers at the time.

By the early 1970s, NME had lost ground to Melody Maker, as its coverage of music had failed to keep pace with the development of rock music, particularly during the early years of psychedelia and progressive rock.

We did Looking Back and Consumer Guide features that beat the competition out of sight, and we did this not just to surpass our rivals but because we reckoned that rock had finished its first wind around 1969/70 and deserved to be treated as history, as a canon of work.

We wanted to see where we'd got to, sort out this huge amount of stuff that had poured out since the mid '60s. In 1976, NME lambasted German pioneer electronic band Kraftwerk with this title: "This is what your fathers fought to save you from ..." The article said that the "electronic melodies flowed as slowly as a piece of garbage floating down the polluted Rhine".

In early 1972 the paper found itself on the verge of closure by its owner IPC (which had bought the paper from Kinn in 1963).

According to Nick Kent (soon to play a prominent part in the paper's revival): After sales had plummeted to 60,000 and a review of guitar instrumentalist Duane Eddy had been printed which began with the immortal words "On this, his 35th album, we find Duane in as good as voice as ever," the NME had been told to rethink its policies or die on the vine.

The first number one was "Here in My Heart" by Al Martino.

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